Tuesday, June 30, 2015

Amasa Delano, the Tryal, and the Problem of Racism in the Early Republic

In the past three years or so, we have witnessed the crumbling of the promise of a post-racial society, an idea introduced with the inauguration of Barack Obama as President in November 2009.  The murders of unarmed young black men by a white vigilante, volunteer deputy, and sanctioned police officers, and the recent horrific massacre of African Americans at the AME Church in Charleston, South Carolina prayer meeting have exploded this myth.  Certainly, the complications and conflicts that attend racial, ethnic, and cultural matters in this country are not new—indeed, they have been woven into the fabric of our national identity and have been concretized as the political issues of the day.
            For historians who specialize in the study of America and the world, the disturbing developments that have shattered our national sensibilities recall similar racial, ethnic, and cultural complications and conflicts at the moment when American mariners first sailed into the wider world following the American Revolution.  These events challenge us to re-examine the writings of those first global Americans, and to weigh their thoughts about race, at home and abroad, in an effort to find some deeper meaning about our society’s today.  Certainly, we can trace the markings of racism and ethnocentrism in the journals and books of Samuel Shaw, Amasa Delano, Edmund Fanning, Harriett Low, and Robert Bennet Forbes.  But, what we find here is curious; not racism or ethnocentrism in their modern guise, but often a conversation about race, embedded in offhand reflections, as Yankee travelers struggled to make sense of the diverse peoples--Muslims, Hindus, Confucians, Buddhists, and Parsees--they encountered.

            One intriguing example can be found in the pages of Amasa Delano’s 1817 Narrative of Voyages and Travels in the Northern and Southern Hemispheres. As a Bostonian, we might take Delano’s views as a measure of northern ideas of black Americans, Africans, Chinese, Sumatrans, Indians, and other peoples of the world, as well as the emergent national (white) character.  His American, or “true Yankee,” is opposed to tyranny and repression, whether in Peru or China.  Yet, his views of the Other are complicated. 
            In April 1791, Delano landed at Batavia, and found that the capital of the Dutch East Indies hosted a remarkably cosmopolitan population of some 200,000 Chinese, Japanese, Africans, and indigenous Malays.  His description incorporated a wide range of opinion. The Chinese shopkeepers and customs officials were “enemies to idleness,” but “deceitful to the last degree.” The Javanese would “apply themselves” in farming and shipbuilding. The Amboynese constructed elegant houses with split cane windows “very neatly wrought in different figures.” At times, others seemed to violate the republican principles that Delano extolled. He found Malaysian peoples “notoriously treacherous” and “void of morals.”  By June, he had reached the Palau islands and found the people there were specimens of “interest, cordiality and happiness,” a “truly amiable people.” They demonstrated a blitheful curiosity and even “lively sympathy,” particularly their King, Abba Thulle, a figure of “wisdom and benevolence.” 
One incident, in particular, stands out in his Delano’s Narrative that complicates his facile construction of the American national character.  The encounter with the Spanish slave ship Tryal, under Captain Benito Cereno, would bring to the surface fundamental contradictions within the persona of the “true Yankee.”  On the morning of 20 February 1805, after two months of cruising the Pacific shoreline and collecting seal furs, Delano’s Perseverance was sailing in light airs when the watch sighted a ship that “acted very awkwardly.” Ascertaining that she was a Spanish slave ship, the Tryal, and that she was in trouble, Delano sent out his boats, “well manned, and well armed,” to recapture the slaver.  He brought the Tryal into Conception six days later, having provided the Spanish crew “every possible kindness.”
            Delano’s tale of the Tryal, festooning the newspapers of the day, was presented through the voice of the philosophical world citizen. Throughout 1806 and 1807, readers could find versions of the story, as well as letters from Delano, the Spanish Consul in Boston, and the Spanish Minister Plenipotentiary in the Newburyport Herald and Salem Gazette; Portsmouth Oracle; the Vermont Centinel (Burlington); New York’s Mercantile Advertiser, Public Advertiser, Republican Watch-Tower, and Spectator; the Democratic Press and Poulson’s American Daily Advertiser of Philadelphia, and Alexandria’s Daily Advertiser and Richmond’s Enquirer. The Perseverance and crew hailed from New England, but the journals constructed the “humane and spirited exertions of [Delano] and his brave crew . . . in the Pacific Ocean” as an American enterprise, carried out by an “American ship.” For most readers, also, the Yankee values that were celebrated--the King’s gift of a “Golden Medal” and “Tribute of Respect’-- redounded to the credit of Yankees from across the country. Significant as tokens of European acceptance, Delano applauded the “kind and generous treatment” and “most sincere friendship and benevolence” he received from Spanish officials. The story resonated with an American public that applauded acts of heroism by their countrymen, especially for those who operated on a global stage, and decades later, it would attract the attention of Herman Melville, who adapted Delano’s account for his most notable short story. [i]
            Yet, in describing the American as a liberator of disadvantaged peoples and in using the Spanish Pacific as a setting, Delano was curiously indifferent to the plight of the Tryal’s human cargo. Instead, he accepted the Spanish assessment of the mutiny as “those heinous and atrocious actions” rather than as a spirited struggle for freedom. He was not ignorant of the fate of the mutineers. Six were condemned to “the common penalty of death,” and “the heads of the five first be cut off after they are dead, and be fixed on a pole, in the square of Talcahuano.” Others were sentenced to ten years of hard labor. What accounts for Delano’s failure to liberate the slaves of the Tryal or to decry harsh sentences imposed on men and women who had attempted to take back their liberty, not unlike the actions that he and his countrymen had taken twenty years earlier?  Like the majority of white Americans in the early nineteenth-century, his concept of liberty did not extend to African or Asian peoples. It exposed a cruel paradox at work in Delano’s America. His 1817 publication came at an historic moment when working class and middle class white men were becoming more vocal in demanding expansion of the vote and elimination of property qualifications, even as they sought to eliminate these rights for women and African Americans. The new “ladies journals” that had begun to appear advised Yankee women to subsume their energies into the domestic sphere of child raising, and budding abolitionists could go as only as far as joining colonization societies that promoted the emigration of black Americans to Africa.[ii]  Within a decade, however, inaugurated in the work of another Bostonian, David Walkers Appeal to the Coloured Citizens of the World (1829), the currents within this literature that called for a more accepting view of others peoples both at home and abroad would be appropriated by a new generation of militant abolitionists who demanded equal rights. 
            So, what do we make of this?  How do read the writing of an Indies trade literature within the context of racism at home.  Delano was a rather ordinary middle class mariner.  He worked his way up the ladder and, it appears, down again to die in a measure of respectability, but not wealth.  We could easily reject him as racist, or ethnocentric, or backward.  A close reading of Delano’s letters and Narrative suggests something else.  On the cusp of contact with the peoples beyond the Atlantic—Chinese, Indians, Sumatrans, Parsees, it appears that he was trying to work out what all this meant.  As a man inspired buy the rhetoric of the Enlightenment and a participant in his country’s recent revolution, he aspired to fashion himself as a citizen of the world, tolerant and cosmopolitan.  Regarding slavery, it was the debate over diversity that played out in this Indies trade literature, and not so much one side of an issue or the other, that defined American identity in the early republic. 



[i] Delano, Narrative, 496-497, 318, 329. Some of these accounts were reprinted from the Gazette of the United States. Newburyport Herald, 21 August 1807; Salem Gazette, 21 August 1807; Portsmouth Oracle, 22 August 1807; Mercantile Advertiser, 24 April 1806 and 27 August 1807; Public Advertiser, 22 August 1807; Republican Watch-Tower, 1 September 1807; New-York Spectator, 26 April 1806; Democratic Press 28 August 1807; Poulson’s American Daily Advertiser, 25 August 1807; Vermont Centinel (Burlington), 2 September 1807; Alexandria Daily Advertiser, 28 April 1806; and the Enquirer of Richmond, Virginia, 6 May 1806. Melville published “Benito Cereno” in serial form in Putnam's Monthly in 1855, and a year later revised it for The Piazza Tales. A number of literary critics have wrestled with the problematic moral ambivalence they find in Melville’s classic short story. See, for instance, Andrew Delbanco, Melville: His World and Work (New York: Knopf, 2005); Rosalie Feltenstein, “Melville's Benito Cereno,” American Literature: A Journal of Literary History, Criticism, and Bibliography: 19, no. 3 (1947): 245-255; Dan McCall, Melville's Short Novels: Authoritative Texts, Contexts, Criticism (New York, NY: Norton, 2002); Lea Bertani Vozar Newman, “Benito Cereno,” in A Reader's Guide to the Short Stories of Herman Melville, ed. Lea Bertani Vozar Newman (Boston, MA: G.K. Hall, 1986); Maggie Montesinos Sale, The Slumbering Volcano: American Slave Ship Revolts and the Production of Rebellious Masculinity (Durham, NC: Duke University Press, 1997); Sterling Stuckey, “The Tambourine in Glory: African Culture and Melville's Art,” in The Cambridge Companion to Herman Melville, ed. Robert S. Levine (New York: Cambridge University Press, 1998): 37-64, and Eric J. Sundquist, To Wake the Nations: Race in the Making of American Literature (Cambridge, MA.: Belknap Press of Harvard University Press, 1993).
[ii] Delano, Narrative, 89, 64-65, 347-348.

Saturday, June 20, 2015

“Season of Misery” for Colonial Americans and True Yankees


Recently, the online journal Common-place published a roundtable on Kathleen Donegan’s Seasons of Misery: Catastrophe and Colonial Settlement in Early America, a book that has garnered a good deal of attention among early Americanists. The collection of brief essays expands upon a session held at the American Studies Association conference in 2014 and features thoughts from Dennis Moore, Abram Van Engen, Kathleen Wilson, Sari Altschuler, Karen Stolley, and Birgit Brander Rasmussen, as well as a lovely reflection on writing Seasons of Misery from Donegan herself. They present us with one of those wonderful moments of intellectual engagement that challenge historians to reconsider their field in fundamental ways; that leave us not only with an impression of “oh, I didn’t know that,” but, more broadly, “oh, I never thought about it this way before.” The online conversation was particularly interesting to me because my own book, True YankeesThe South Seas and the Discovery of American Identity (JHUP, 2104), tries to do something similar, extending the argument into a later period and across the globe.

You can read the rest of this piece at the Johns Hopkins University Press blog site:
http://jhupressblog.com/2015/06/05/season-of-misery-for-colonial-americans-and-true-yankees/


Saturday, March 28, 2015

“God’s Tender Mercies”: A Guest Post, Jessica Parr


            As readers of this blog know, True Yankees explores themes of global travel, the construction of identity (both personal and public), and the place of these within early American print culture.  While my own work focuses on American voyagers who sailed “eastward of Good Hope” (geographically, into the seas beyond the Cape of Good Hope, and psychologically,  sailing beyond all that was familiar, known, and comfortable), I hope to include, from time to time, the ideas of colleagues who explore these themes in other sites.  Today’s guest post, from my colleague Jessica Parr, offers us a fresh perspective, then, from the perspectives of a marginalized people .  Examining the construction of the African diaspora in the poetry of slaves in colonial America, she finds a Biblical foundation made the ordeal of slavery both understandable and bearable.


“God’s Tender Mercies:”
Redemptive Language, Print Culture, and Universal Salvation
in Early Black Consciousness

A Guest Post
by
Jessica Parr
University of New Hampshire

            By the second half of the eighteenth century, Christianity had taken on a dual meaning for African-Americans.  On the one hand, evangelical Christianity promised universal salvation, which held some appeal for marginalized and dehumanized people.  Religion also served as a bond of sorts, across an African diaspora, as free and enslaved Africans envisioned what a black society, free of the debasement of slavery, might look like.  On the other hand, white pro-slavery Christians tended to emphasize religion as a means of social control, designed to compel obedience among African slaves.  It was a bit of religious pro-slavery rhetoric unleashed by Anglican missionary Morgan Godwyn in his two treatises in 1680 and 1681.[1]  These treatises were designed to persuade planters who were reluctant to allow religious instruction to their slaves, where the question of whether it was legal to hold Christians in perpetual slavery was still unsettled law.[2]

            Many early Black intellectuals and writers, including Phillis Wheatley, John Marrant, and Jupiter Hammond focused on themes of faith, redemption, and hope in their writings.  Jupiter Hammon was arguably the earliest published African American writer.  Hammon was born into slavery in Huntingdon, New York in 1711.  He remained a slave throughout his life, serving four generations of the Lloyd family. Like Wheatley, the deeply religious Hammon was literate, having been sent to school alongside the Lloyd children.  The Lloyds were a devoutly religious family, and may, like Phillis Wheatley’s masters, have seen educating their child slaves as a gesture of Christian charity.

            In 1761, Jupiter Hammon become the first African American to publish, with the publication of the first of his poems, “An Evening Thought. Salvation by Christ with Penitential Crienes: Composed by Jupiter Hammon, a Negro belonging to Mr. Lloyd of Queen's Village, on Long Island.”  “An Evening Thought” stresses the idea of universal salvation, opening with the verse: “Salvation comes by Jesus Christ alone…Redemption now to every one.” Early scriptural arguments that were used to support slavery came from the idea of original sin.  One common bit of scripture invoked by pro-slavery Christians, was the Curse of Ham, which comes from the Book of Genesis.  In this biblical story, God cursed Ham for mocking his drunken father, Noah.  His skin, and that of his descendants, were scorched black.  Proponents of slavery argued that Africans were the descendants of Ham, cursed for his sins. Hence the idea of “universal salvation” the “hereditary heathenism” that developed in early Black print culture serves a rejection of the theological validity of these scriptural interpretations.[3]  Hammon’s emphasis on salvation can be read in dual context to indicate both a salvation from sin, but also salvation from slavery. 

            His writings that followed all stressed a common theme, which encouraged slaves to focus on salvation, and avoid vice and sin.  It was a theme that carried into other writings by early Black writers.  Hammon’s 1778 poem, “An Address to Miss Phillis Wheatley,” addresses Wheatley’s turn to religious life, saying

            Thous has left the heathen shore; Through mercy of the Lord, Among the
            heathen live no more, Com magnify thy God.” Wheatley had expressed
            similar sentiments in her own poem, “On Being Brought From Africa to
            America.” 


Phillis Wheatley, as illustrated by Scipio Moorhead 
in the Frontispiece to her book Poems on Various Subjects (1773).


She observed:

            Twas Mercy brought me from my Pagan land
            Taught my benighted soul to understand
            That there's a God, that there's a Saviour too:
            Once I redemption neither sought nor knew.
            Some view our sable race with scornful eye,
            "Their colour is a diabolic die."
            Remember, Christians, Negros, black as Cain,
            May be refin'd, and join th' angelic train.

Wheatley’s writings shared Hammon’s redemptive language, also referencing the story of Cain slaying his brother, Abel, condemned by God to wander the Earth indefinitely, for his sin.  Universal salvation is a shared language in early Black consciousness, as well as a refutation of the association with blackness with sin.

            At one level, Hammon’s writings appear to confirm some of the early pro-slavery rhetoric that encouraged obedience of slaves to their masters.  On the surface, his poem, “A Dialogue, Intitled, The Kind Master and the Dutiful Servant” seems to confirm pro-slavery Christian arguments that religion could serve as a form of social control for slaves.  The poem features a dialogue between a master and his slave concerning faith as a source of strength for getting through tough times (in this case, war).  But shared expressions of piety also suggest a faith that mankind, black and white, have equal access to, even if their social standings are not currently equal. The idea of “perfect strength,” as Wheatley wrote to her friend and correspondent, Obour Tanner, “was made in perfect weakness.”[4]



            In his 1787 Address to Negroes of New York, Hammon wrote:


 Now whether it is right, and lawful, in the sight of God, for them to make   
slaves of us or not, I am certain that while we are slaves, it is our duty to             
obey our masters, in all their lawful commands, and mind them unless we   
are bid to do that which we know to be sin, or forbidden in God’s word.”[5]

Hammon continues: “With good will doing service to the Lord, and not to men.”[6] Unlike white Christians, Hammon does not necessarily encourage obedience for its own sake.  Rather, he encourages his audience to put their faith in God.  Engaging in unlawful or disorderly acts would only degrade slaves further.

            In the tradition of these Black religious writings, struggle is a common theme, and religion is the balm to get Black Christians through the trials they will endure until slavery comes to an end. It is the start of a Messaniac language, which provided Black Christian intellectuals from the middle of the eighteenth century onward with way to connect across the African Diaspora, but also served as a guidebook for envisioning a Black existence beyond the degradations of slavery.

Notes



[1] See especially Morgan Godwyn, Proposals for the Carrying on the Negro’s Christianity (1681).

[2] Travis Glasson, “‘Baptism Doth Not Bestow Freedom:’ Missionary Slavery and the Yorke-Talbot Decision, 1701-1730,” The William and Mary Quarterly, Vol. 67, No. 2 (April 2010): 279-318.

[3] Rebecca Anne Goetz, The Baptism of Early Virginia: How Christianity Created Race (Johns Hopkins University Press, 2012): 3, 172.

[4] Letter from Phillis Wheatley to Obour Tanner, 19 July 1772. Upham Hugh Clark Collection. Massachusetts Historical Society.

[5] Jupiter Hammon, An Address to Negroes in the State of New-York (1787): 7.

[6] Hammon, Address, 7.

 

Monday, March 16, 2015


From the Piscataqua to the Packnam:
Portsmouth in the East Indies Trade

A Preview of my upcoming talk at the Portsmouth Athenaeum
18 March 2015

  

     When we think of America’s first encounters on the world stage, when we read about the first Americans in the Old China Trade and the Indies Trade, the names of seaports such as Salem and Boston, Philadelphia and New York come to mind.  We recall the first voyage, that of the Empress of China from New York to Canton in 1784 and that of the United States from Philadelphia to India the same year.  Yet, more modest ports played an important if forgotten role, as well, and Portsmouth was one of these.  In fact, Portsmouth men were among the first Americans to sail to the East, its merchants went on to trade in Zanzibar and collect otters pelts along the Northwest Coast, and its female missionaries are buried in Macao’s Protestant Cemetery.  One Portsmouth man claimed unknown islands in the Pacific, another negotiated the first treaties with Siam (Thailand) and Muscat (Oman) and laid down plans for the first US treaties with Vietnam and Japan, and another exchanged Indian opium for Canton’s teas, silks, and porcelain. 


     Where do we find the historical clues?  Combing through hoary libraries and archives, like the Portsmouth Athenaeum, we may happen on obscure references and curious hints.  I encountered one of these tantalizing clues a couple of years ago and became intrigued.  In the pages of a dusty volume entitled A Narrative of Voyages and Travels in the Northern and Southern Hemispheres: Comprising Three Voyages Round the World; together with a Voyage of Survey and Discovery, in the Pacific Ocean and Oriental Islands, published in Boston in 1817, its author, Amasa Delano inserted a tantalizing chart.  Delano was describing his first voyage to the East, aboard the ship Massachusetts, in 1790. 

     Amidst the names of men from Boston, England, Ireland and Sweden, men who survived and men who “died at Canton” and “died at Macao” and men lost overboard or captured by pirates, we notice names of five Portsmouth mariners:




Charles Treadwell                       
Joseph Gruard
Thomas Lunt
Andrew Tombs
Humphrey Chadburn 
           
     On the next page, an unnamed seaman, “Drowned off Java Head, in 1790,” also from Portsmouth:




            Intrigued, we peruse Delano’s book, and we find more familiar names:

     The first mate was another Portsmouth man named Josiah Roberts.  He “died at River La Plate in 1810 or 1811.”  The third mate was Jeremiah Parker of Portsmouth; he “died on homeward passage and thrown overboard.”

            What this suggests is that Portsmouth men were active in the early Indies trade.  But, we are left with more questions: Principally, who were these people?  What happened to them?  And, were there others?

For more information about the talk, see the Portsmouth Athenaeum web site:
                            http://www.portsmouthathenaeum.org/Speakers_Series.html